My Fair Lady - directed by Ella Marchment - Theater Orchester Neubrandenburg Neustrelitz – October 2025–Jauary 2026 – Photos (c) Jörg Metzner

MY FAIR LADY, 2025

  • Frederick Loewe
    Composer
  • Alan Jay Lerner
    Librettist
  • Robert Gilbert
    German translation

Company – Theatre – Date

  • Theater Orchester Neubrandenburg Neustrelitz
    • Opernchor der TOG
    • Deutsche Tanzkompanie
    • Neubrandenburger Philharmonie
  • Neustrelitz Landestheater
  • October 2025–May 2026

Creatives

  • Ella Marchment
    Director
  • Maura Ballard
    Assistant Director
  • Kenichiro Kojima
    Conductor
  • Philomena Strack
    Set Designer
  • Sascha Thomsen
    Costume Designer
  • Adam Haigh
    Choreographer
  • Joseph Feigl
    Chorus Director
  • Bettina Bartz, Martin von Bargen
    Dramaturges

Cast

  • Laura Scherwitzl
    Eliza Doolittle
  • Robert Merwald
    Prof. Henry Higgins
  • Ryszard Kalus
    Oberst Pickering
  • Ulrich Burdock Alfred P. Doolittle
  • Andrés Felipe Orozco
    Freddy Eynsford-Hill
  • Sylke Urbanek
    Mrs Pearce
  • Gabriele Thomann
    Mrs Higgins
  • Marin Silni
    Harry
  • Andreas Hartig
    Jamie
  • Constanze Neuweg
    Little Eliza

Programme

Reviews

Nordkurier

Rating: 5 out of 5.

Enchanting … Wonderful … The ensemble can look forward to a lot of applause, a [seven-minute] standing ovation at the premiere

Strelitzius

Rating: 5 out of 5.

Masterpiece: Musical premiere of “My Fair Lady” rightly celebrated at the Landestheater Neustrelitz … Great artistic quality

Kultura-Extra

Rating: 5 out of 5.

Ella Marchment and her team have produced a radically uncluttered show … The directing is interesting and never overloaded, leaving a lot of space for the actors on the stage … Exemplary … Extremely elegant … Neustrelitz cheers

Musical Today

Rating: 5 out of 5.

A remarkable concept, consistently realized from the first moment … Wildly exuberant … Unbeatable … The audience loudly celebrates this exciting staging

Synopsis

My Fair Lady is a musical adaptation of George Bernard Shaw’s play Pygmalion, with music by Frederick Loewe and lyrics by Alan Jay Lerner. Originally in early twentieth-century London, the story follows Eliza Doolittle, a poor Cockney flower girl with a strong accent that marks her lower-class status. She meets Professor Henry Higgins, a phonetics expert who boasts that he can transform any woman into a refined lady simply by teaching her to speak properly. Intrigued by the challenge, Higgins makes a bet with his friend Colonel Pickering that he can pass Eliza off as a duchess within six months.

Eliza undergoes rigorous speech lessons and personal refinement under Higgins’s demanding instruction. After months of hard work, she successfully impresses London society at a high-class ball, where no one suspects her humble origins. However, Eliza soon realizes that while she has gained manners and speech, she has lost her independence and sense of belonging—neither fully part of the upper class nor her old world. Higgins, proud of his achievement, fails to acknowledge her feelings or her growth as a person.

In the end, Eliza asserts her independence, challenging Higgins’s arrogance and forcing him to confront his own emotions. My Fair Lady explores themes of identity, class, transformation, and the human need for recognition and dignity, wrapped in witty dialogue and memorable songs like ‘I Could Have Danced All Night’ and ‘The Rain in Spain‘.

Photos

All photos (C) Jörg Metzner