- Opera Opera Triple Bill – Britten, Weill & Ravel
- Les Illuminations, Britten & Rimbaud
- Chansons des Quais, Weill & Deval
- L’heure espagnole, Ravel & Franc-Nohain
- Director Ella Marchment
- Conductor Michael Rosewell
- Composers
- Benjamin Britten
- Kurt Weill
- Maurice Ravel
- Librettists
- Arthur Rimbaud
- Jacques Deval
- Franc-Nohain
- Associate Director Adam Haigh
- Movement Director Adam Haigh
- Assistant Director Simon Brown
- Designer Cordelia Chisholm
- Lighting Designer Kevin Treacy
- Company Royal College of Music
- Theatre Britten Theatre, London
- Date November 2024
Opera Now
Marchment’s staging is ingenious and brilliantly realized … Chisholm’s designs made much of few props, completely supporting Marchment’s inspired ideas. A triumph.
The Guardian
Every aspect of the evening was carefully thought through … beguiling magnetism … delicious comedy … stars in rude health
Planet Hugill
Ella Marchment drew finely complex and highly involving performances from all concerned. An evening of compelling theatre.
musicOMH
Marchment reveals how a performer can reinvent herself to capture the unique spirit of each moment in time … brilliant
Programme
Synopsis
The Royal College of Music Opera Studio presents an intoxicating trio of works celebrating the French language and showcasing the versatility of RCM singers.
Step back in time for an evening of spectacular escapism, as we wind back the clock and carry you through a musical triptych of works celebrating the French language.
Your evening starts in the 1940s with RCM alumnus Benjamin Britten’s Les Illuminations, a contemplative song cycle set to poetry by Arthur Rimbaud. Our protagonist, who embodies the spirit of performance, confronts her own fragility and loss of mental faculties due to aging. She desperately seeks to remember who she was in a pre-war world and her artistic heyday.
Next, we transport you to a chapter of our protagonist’s life: the colourful, cabaret-filled 1930s, for a song cycle conceived from Kurt Weill’s early work Marie Galante, featuring a selection of beguiling, rarely performed songs and musical scenes.
We finally land in the golden age of performance and a larger-than-life set in the 1920s, for a farcical plot that features a host of mischievous characters concealed in clocks, in Ravel’s popular comédie musicale L’heure espagnole.
This production is made possible with the assistance of the Basil Coleman bequest.
Please note this production contains themes of sexual abuse, violence and strong language. Parental discretion is advised for children. The performance will also use haze.
(C) Royal College of Music
Photos
All photos (C) Royal College of Music